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Eight metal bells are hung in each upper and lower section, and played with Chae(a stick made of ox horn).
A thicker bell makes a higher sound and a thinner one makes a lower sound.
16 stone bells are played with Gaktoe(a stick made of ox horn).
Same as Pyengjong, a thicker stone bell makes a higher sound and vice versa.
Teukjong was used in the royal ancestral ritual music, which played at the beginning of a musical performance.
This single L - shaped stone chime is the counterpart of the single bell: the single bell announces the commencement of the music, and the single stone chime proclaims its end. This stone chime is used only on the terrace of the shrine in Confucian ceremonial music and Royal Ancestral Shrine music.
Jeolgo was used in the royal ancestral ritual music. Two orchestras perform for the rites, one seated on the upper platform(terrace orchestra) and the other one on the lower platform(courtyard orchestra).
As symbolizing the spring, it is put in the east side. A musician rams a long stick into the hole to notice the start of music.
This flag signifies the start and end of ongmyo Jeryeak. It is risen up when the ritual music starts, and laid down when the music ends.